Memo to photo staffs: embrace video
Roanoke’s Seth Gitner is surveying the members of the Newspaper Video Yahoo Group about their newspapers’ use of video and training. The good news is that a lot of them are diving enthusiastically into video. The bad news, in my opinion, is that in some cases, it’s not coming out of the photo departments.
I’m puzzled by this. The visuals people at papers should be leading the charge into video. They are the visual experts in the organizations. The leap from still images to video is far shorter for them than for a reporter or someone else. They have the smarts and the political capital in newsrooms to make video a priority.
Instead, though, we are getting some responses such as this:
Is your newspaper cross training its still photogs to do video?
Not really. There’s been talk of it but the photocracy* isn’t really interested. … They aren’t even interested in helping out with Soundslides (all that production is done by web staffers, except for a few rare cases where a photographer stood over someone’s shoulder)!”
The Oregonian is not cross-training its photographers. And at the Bakersfield Californian, long considered in the digital media vanguard, just “(t)hree of our six photographers have each made one video,” reports multimedia editor Jennifer Baldwin. There, she says. “photographers have not been interested in doing video.” (Although that may be changing.)
Bakersfield is especially interesting because the site is swimming in video. The paper produces two to three video pieces a day. But it’s coming from reporters, not photographers.
On the one hand, it’s fantastic that the Californian has taught so many reporters to see the value of video, and that they are willing to learn and use new skills. For run-of-the-mill daily news video, it seems to be working great. But without the participation of the photo staff, you’re likely missing out on some really exceptional video storytelling possibilities. Many of the photographers at the Californian were there during my internship 20(!) years ago, and they are a talented bunch. It’s a crime — and a waste of resources — that they aren’t applying their talents to this richer, more engaging visual medium. And it’s a shame that they aren’t a resource for the other staffers who could use help with composition, framing, lighting and other shooting techniques.
We’re fortunate at the Mercury News in that our photo staff has embraced video and is using it to do interesting things such as this and this and compelling storytelling such as this. They, and other newspaper staffs, see the way forward. It’s high time for all newspaper photo staffs to see the light.
02 Jan 2007 Michael
In Syracuse, we’re not too far along, but the photographers do almost all of the video.
http://www.syracuse.com/video/
Two of the best videos I’ve seen produced by newspapers were both shot by great photographers — one in Bakersfield, one in Ventura.
The thing is, it takes a lot of time to produce great video, and photographers still have jobs to do. I think you won’t see photographers producing great video regularly until they are paid to do just that, not at mid-size to smaller papers. Maybe at your larger papers, it might be different, but then those larger papers are also the ones most likely to staff accordingly.
That said, as you know, I consider reporters shooting video pegged to their stories absoltely essential. That doesn’t need to be full blown productions — quick and easy to produce stuff, like Bakersfield does.
I am not a professional photographer, but I very much disagree with the “Memo”. Photography and video are just different media, it’s a different job. If someone is passionate about photography and invested heavily into developing his skills, why should he be forced to do something else?
Michael, if someone have found his passion, he just want to perfect it and be the best. If you force him to do something else, it may be felt just like a distraction. Moreover, are those one-minute-long videos really that great? I would much prefer to see some nice looking stills from pro’s.
“…to this richer, more engaging visual medium.”
You say that as if it’s a fact. I agree that in certain cases it is a more engaging visual medium. But, it depends on the content, doesn’t it? I’ll take video of a car crash anyday over a still photo of a car crash.
But, stills can be every bit as rich and engaging when executed well on an interesting story. Take a look at Kristen Ashburn’s story on Aids in Africa. She used both mediums to tell her story. After looking at it, ask yourself which medium you could delete from the package. I’d lose the video first. The audio and still images are what’s important to that story.
Video is not always the best solution on any given story.
I also don’t think it’s a “crime and waste of resources” for a still photographer to work hard at making still photographs for their paper. That’s what we do.
[...] The answer may be in the second of his posts, Memo to photo staffs: embrace video, where Bazeley is surprised by the results of a bit of research being done by Seth Gitner, the multimedia editor of Roanoke.com. [...]
[...] I tweaked some sensibilities with my measley one-paragraph post about audio slideshows yesterday, and my longer video post. The comments I received online and off deserve a follow-up. [...]
In the spirit of cooperation in ‘07, kudos for Star Press photographer Kurt Hostetler for embracing video.
There is a lot of good stuff coming out of big media. Gives me hope.
-kpaul
[...] Photographers toting around HD cams to shoot video, record audio, and grab still frames from for print and Web use? It’s happening, right now, at the Mercury News, and Merc Web Editor Mike Bazeley argues that your photographers should be leading the way to good-looking visuals across platforms at your newspaper. Makes sense to me, but budgets, time, and training are all obstacles to adoption. I’m guessing this is easier at papers with more money, gear, staff, and a younger group of shooters. [...]
Great article.
After 16 months in the position, I just resigned as the still news photog for two small weekly Lee newspapers in Central California.
Part of my decision to leave was based on the fact that there wasn’t any training in or outlet for video, audio, flash or online journalism.
I am a senior at California State University, Fresno majoring in Mass Comm with an emphasis in digital media/journalism. I mention this because the training and the outlet for my interest in multimedia will be better served with a paid position with my campus newspaper.
I will be blogging more about this in the days to come over at my blog, but suffice it to say get the training you need no matter where you need to go to get it.
A small step sideways or backwards now might keep you happily employed for years to come.
Michael:
With your business and technology background, you seem to be the person that could address another issue that arises with the shift from still photos to video at newspapers. Could you give us an idea of the increase in pay for the still shooters who have ‘gone video’ at any or all of the papers you mentioned? How much more are they making with these new skills?
Also, are you aware of any publications who right from the get-go are recruiting videographers instead of photographers for their departments? Like on the Journalism Jobs site, are we seeing ads that say “Podunk Picayune seeks qualified videographer to acquire images for the Picayune’s web page. Still photographers need not apply.”
Keith Dannemiller
Great post. Here at The Record, we’re working on crosstraining the photogs. However, the Internet and reporting staff shoots, too, and with some great results you can see here: http://www.northjersey.com/tr/multimedia.html.
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